![]() Thirdly, the painting uses colour in a bold fashion - the eye is immediately drawn to the circular sun. The painting of modern life was key to the impressionists, who rejected the historical, allegorical and religious scenes favoured by the conservative art establishment. Secondly, this is a modern scene of a recently industrialised port. For example, he excluded some houses on the left side of the scene that he thought were too ugly! Monet did not paint everything that he saw.See, for instance, the very broad brush strokes at the top of the canvas. The painting was almost certainly produced in one sitting, as Monet raced to capture the rising sun.Instead, he sought to capture his impression of the scene. Unsurprisingly, Impression: Sunrise displays a number of key impressionist traits.įirst, and most importantly, Monet was not trying to produce a photographic representation of the port. The impression that the Harbour is shrouded in a light mist.Cranes and derricks on the dock, ready to unload ships (BLUE).Factory chimneys puffing out smoke (next to the clippers) (GREEN).The masts of anchored clipper ships (behind the second rowing boat), one of which can also be seen reflected in the water (YELLOW). ![]()
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